how to draw on adobe illustrator

1. Illustrator User Guide
2. Get to know Illustrator
   1. Introduction to Illustrator
      1. What's new in Illustrator
      2. Common questions
      3. Illustrator organisation requirements
      4. Illustrator for Apple silicon
   2. Workspace
      1. Workspace basics
      2. Create documents
      3. Tools
      4. Default keyboard shortcuts
      5. Customize keyboard shortcuts
      6. Artboards
      7. Customize the workspace
      8. Properties panel
      9. Set preferences
      10. Touch Workspace
      11. Microsoft Surface Dial back up in Illustrator
      12. Recovery, undo, and automation
      13. Rotate view
      14. Rulers, grids, and guides
      15. Accessibility in Illustrator
      16. Condom Fashion
      17. View artwork
      18. Utilize the Touch Bar with Illustrator
      19. Files and templates
      20. Synchronize settings using Adobe Creative Cloud
   3. Tools in Illustrator
      
      1. Selection
         1. Overview
            
         2. Selection
         3. Direct Choice
         4. Lasso
         5. Artboard
      2. Navigation
         
         1. Overview
         2. Zoom
            
         3. Rotate View
            
      3. Paint
         
         1. Overview
         2. Gradient
         3. Shape Builder
      4. Type
         1. Overview
         2. Blazon
            
         3. Type on Path
3. Illustrator on the iPad
   1. Introduction to Illustrator on the iPad
      1. Illustrator on the iPad overview
      2. Illustrator on the iPad FAQs
      3. Organisation requirements | Illustrator on the iPad
      4. What you tin or cannot do on Illustrator on the iPad
   2. Workspace
      1. Illustrator on the iPad workspace
      2. Impact shortcuts and gestures
      3. Keyboard shortcuts for Illustrator on the iPad
      4. Manage your app settings
   3. Documents
      1. Work with documents in Illustrator on the iPad
      2. Import Photoshop and Fresco documents
   4. Select and arrange objects
      1. Create repeat objects
      2. Blend objects
   5. Cartoon
      1. Draw and edit paths
      2. Depict and edit shapes
   6. Type
      1. Work with type and fonts
      2. Create text designs along a path
      3. Add your own fonts
   7. Work with images
      1. Vectorize raster images
   8. Color
      1. Employ colors and gradients
4. Cloud documents
   1. Basics
      1. Work with Illustrator cloud documents
      2. Share and interact on Illustrator deject documents
      3. Upgrade cloud storage for Adobe Illustrator
      4. Illustrator cloud documents | Mutual questions
   2. Troubleshooting
      1. Troubleshoot create or save issues for Illustrator cloud documents
      2. Troubleshoot Illustrator cloud documents issues
5. Add together and edit content
   1. Cartoon
      1. Drawing basics
      2. Edit paths
      3. Draw pixel-perfect art
      4. Describe with the Pen, Curvature, or Pencil tool
      5. Describe uncomplicated lines and shapes
      6. Image Trace
      7. Simplify a path
      8. Define perspective grids
      9. Symbolism tools and symbol sets
      10. Adjust path segments
      11. Pattern a flower in five easy steps
      12. Perspective cartoon
      13. Symbols
      14. Depict pixel-aligned paths for spider web workflows
   2. 3D furnishings and Adobe Substance materials
      1. About 3D effects in Illustrator
         
      2. Create 3D graphics
         
      3. Create 3D objects
      4. Create 3D Text
   3. Color
      1. Almost color
      2. Select colors
      3. Use and create swatches
      4. Adjust colors
      5. Use the Adobe Colour Themes panel
      6. Color groups (harmonies)
      7. Color Themes panel
      8. Recolor your artwork
   4. Painting
      1. Most painting
      2. Pigment with fills and strokes
      3. Live Pigment groups
      4. Gradients
      5. Brushes
      6. Transparency and blending modes
      7. Apply stroke on an object
      8. Create and edit patterns
      9. Meshes
      10. Patterns
   5. Select and accommodate objects
      1. Select objects
      2. Layers
      3. Group and expand objects
      4. Motility, marshal, and distribute objects
      5. Stack objects
      6. Lock, hide, and delete objects
      7. Duplicate objects
      8. Rotate and reflect objects
   6. Reshape objects
      1. Crop images
      2. Transform objects
      3. Combine objects
      4. Cutting, divide, and trim objects
      5. Boob Warp
      6. Scale, shear, and misconstrue objects
      7. Blend objects
      8. Reshape using envelopes
      9. Reshape objects with effects
      10. Build new shapes with Shaper and Shape Builder tools
      11. Work with Live Corners
      12. Enhanced reshape workflows with touch on support
      13. Edit clipping masks
      14. Alive shapes
      15. Create shapes using the Shape Builder tool
      16. Global editing
   7. Type
      1. Create text
      2. Fonts and typography
      3. Format type
      4. Import and consign text
      5. Format paragraphs
      6. Special characters
      7. Create type on a path
      8. Character and paragraph styles
      9. Tabs
      10. Text and type
      11. Find missing fonts (Typekit workflow)
      12. Update text from Illustrator 10
      13. Arabic and Hebrew type
      14. Fonts | FAQ and troubleshooting tips
      15. Create 3D text effect
      16. Artistic typography designs
      17. Scale and rotate type
      18. Line and character spacing
      19. Hyphenation and line breaks
      20. Text enhancements
      21. Spelling and language dictionaries
      22. Format Asian characters
      23. Composers for Asian scripts
      24. Create text designs with alloy objects
      25. Create a text poster using Epitome Trace
   8. Create special effects
      1. Work with effects
      2. Graphic styles
      3. Create a driblet shadow
      4. Advent attributes
      5. Create sketches and mosaics
      6. Drib shadows, glows, and feathering
      7. Summary of effects
   9. Web graphics
      1. Best practices for creating web graphics
      2. Graphs
      3. SVG
      4. Create animations
      5. Slices and image maps
6. Import, export, and salve
   1. Import
      1. Import artwork files
      2. Import bitmap images
      3. Import artwork from Photoshop
      4. Place multiple files | Illustrator CC
      5. Unembed images
      6. Import Adobe PDF files
      7. Import EPS, DCS, and AutoCAD files
      8. Links data
   2. Creative Cloud Libraries in Illustrator
      1. Creative Deject Libraries in Illustrator
   3. Save
      1. Save artwork
   4. Consign
      1. Use Illustrator artwork in Photoshop
      2. Consign artwork
      3. Collect assets and export in batches
      4. Package files
      5. Create Adobe PDF files
      6. Extract CSS | Illustrator CC
      7. Adobe PDF options
      8. File data and metadata
7. Press
   1. Ready for press
      1. Set up documents for printing
      2. Alter the page size and orientation
      3. Specify crop marks for trimming or aligning
      4. Get started with large canvas
   2. Printing
      1. Overprint
      2. Print with colour management
      3. PostScript printing
      4. Print presets
      5. Printer'due south marks and bleeds
      6. Impress and save transparent artwork
      7. Trapping
      8. Print color separations
      9. Impress gradients, meshes, and colour blends
      10. White Overprint
8. Automate tasks
   1. Information merge using the Variables console
   2. Automation with scripts
   3. Automation with actions
9. Troubleshooting
   1. Crash issues
   2. Recover files later crash
   3. File bug
   4. GPU device driver bug
   5. Wacom device issues
   6. DLL file issues
   7. Retentivity issues
   8. Preferences file issues
   9. Font issues
   10. Printer issues
   11. Share crash report with Adobe

The simplest path y'all can draw with the Pen tool is a directly line, made by clicking the Pen tool to create 2 anchor points. Past standing to click, you create a path made of straight line segments connected by corner points.

Clicking Pen tool creates straight segments.

Select the Pen tool ().

Position the Pen tool where yous want the direct segment to brainstorm, and click to ascertain the first ballast signal (do not drag).

Notes:

• The showtime segment y'all draw will non be visible until yous click a 2nd ballast point.
• If direction lines appear, y'all've accidentally dragged the Pen tool; choose Edit > Disengage, and click once again.

Click over again where yous want the segment to end (Shift-click to constrain the angle of the segment to a multiple of 45°).

Keep clicking to set anchor points for additional direct segments.

The last ballast point yous add always appears as a solid foursquare, indicating that it is selected. Previously defined anchor points become hollow, and deselected, every bit you lot add more anchor points.

Complete the path by doing one of the post-obit:

• To close the path, position the Pen tool over the showtime (hollow) anchor point. A pocket-size circle appears next to the Pen tool pointer when information technology is positioned correctly. Click or drag to close the path.
• To exit the path open, Ctrl-click (Windows) or Command-click (macOS) anywhere away from all objects.
• To leave the path open up, y'all tin can likewise select a dissimilar tool, or choose Select > Deselect. Y'all tin can as well only printing Enter or Return to leave the path open.

Yous create a bend by calculation an ballast betoken where a curve changes direction, and dragging the direction lines that shape the curve. The length and slope of the direction lines make up one's mind the shape of the curve.

Curves are easier to edit and your system can display and impress them faster if you draw them using equally few anchor points every bit possible. Using too many points can as well introduce unwanted bumps in a curve. Instead, draw widely spaced anchor points, and practice shaping curves by adjusting the length and angles of the direction lines.

Position the Pen tool where you desire the curve to begin, and concord down the mouse button. The first anchor point appears, and the Pen tool pointer changes to an arrowhead.

Drag to fix the slope of the curve segment y'all're creating, and then release the mouse button.

In general, extend the direction line near ane third of the distance to the next ballast betoken y'all plan to draw. (Yous can adjust one or both sides of the management line afterward.)

Hold down the Shift central to constrain the tool to multiples of 45°.



Drawing the first point in a curve

A. Positioning Pen toolB. Starting to drag (mouse button pressed)C. Dragging to extend direction lines

Position the Pen tool where you want the curve segment to end, and do one of the following:

• To create a C‑shaped curve, drag in a direction opposite to the previous direction line. Then release the mouse button.



Drawing the second bespeak in a curve

• To create an S‑shaped curve, drag in the same direction every bit the previous management line. And so release the mouse push button.



Drawing an Due south curve

Press Command/ Ctrl while dragging the handles of a smooth indicate, to make them inequal in length when y'all're drawing a curve.



Elevate diff handles while drawing curves

A. Contrary handles are equal and pairedB. Cmd/Ctrl pressed, opposite handles are unequal and paired

Continue dragging the Pen tool from unlike locations to create a series of smooth curves. Notation that you are placing anchor points at the beginning and end of each bend, not at the tip of the bend.

Alt-drag (Windows) or Option-drag (macOS) direction lines to interruption out the direction lines of an anchor point.

Consummate the path by doing 1 of the following:

• To close the path, position the Pen tool over the beginning (hollow) ballast betoken. A small circle appears next to the Pen tool pointer when it is positioned correctly. Click or drag to close the path.
• To leave the path open, Ctrl-click (Windows) or Command-click (macOS) anywhere away from all objects.
• To leave the path open up, you tin can also select a different tool, or choose Select > Deselect.

You can make finer adjustments to the endmost bend:

• Press the spacebar while closing a path to reposition the closing ballast indicate.
  
• Press Option/ Alt, and suspension the pairing of handles of the closing anchor point.



Control closing paths

A. Reposition the closing anchor pointB. Break the paired handles to adjust the endmost anchor indicate

Reposition anchor points as you draw

After yous click to create an anchor point, go on the mouse button pressed down, concur down the spacebar, and drag to reposition the anchor point.

Stop drawing a path

Complete a path in one of the following ways:

• To close a path, position the Pen tool over the first (hollow) anchor point. A modest circle appears next to the Pen tool pointer when it is positioned correctly. Click or drag to shut the path.
• To leave a path open, Ctrl-click (Windows) or Command-click (macOS) anywhere away from all objects.

To leave the path open, you tin can as well select a different tool, or choose Select > Deselect.

Draw straight lines followed past curves

Using the Pen tool, click corner points in two locations to create a straight segment.

Position the Pen tool over the selected endpoint. In Illustrator, a catechumen-point icon appears adjacent to the Pen tool when it is positioned correctly. To set the gradient of the curved segment y'all'll create next, click the anchor point, and drag the direction line that appears.



Cartoon a directly segment followed by a curved segment (role one)

A. Straight segment completedB. Positioning Pen tool over endpointC. Dragging direction bespeak

Position the pen where you lot want the next anchor indicate; then click (and drag, if desired) the new ballast point to consummate the curve.



Drawing a directly segment followed past a curved segment (office 2)

A. Positioning Pen toolB. Dragging direction lineC. New bend segment completed

Draw curves followed by straight lines

Using the Pen tool, drag to create the first smooth signal of the curved segment, and release the mouse button.

Reposition the Pen tool where y'all desire the curved segment to finish, drag to complete the curve, and release the mouse button.



Cartoon a curved segment followed past a straight segment (part i)

A. First polish point of curved segment completed and Pen tool positioned over endpointB. Dragging to complete the curve

Position the Pen tool over the selected endpoint. A convert-point icon appears next to the Pen tool when it is positioned correctly. Click the ballast point to convert the smooth point to a corner signal.

Reposition the Pen tool where you want the straight segment to cease, and click to consummate the straight segment.



Drawing a curved segment followed past a straight segment (part 2)

A. Positioning Pen tool over existing endpointB. Clicking endpointC. Clicking adjacent corner point

Draw two curved segments connected past a corner

Using the Pen tool, drag to create the first smoothen point of a curved segment.

Reposition the Pen tool and drag to create a curve with a second smooth point; then printing and hold Alt (Windows) or Option (macOS) and drag the direction line toward its opposing stop to ready the slope of the next curve. Release the key and the mouse button.

This process converts the polish indicate to a corner point past splitting the direction lines.

Reposition the Pen tool where you desire the 2d curved segment to finish, and drag a new smoothen bespeak to complete the second curved segment.

Cartoon 2 curves

A. Dragging a new shine pointB. Pressing Alt/Option to split direction lines while dragging, and swinging direction line upC. Outcome after repositioning and dragging a third time

The Curvature tool simplifies path creation and makes drawing easy and intuitive. This tool enables y'all to create, toggle, edit, add, or remove polish or corner points. Yous don't accept to switch between different tools to piece of work speedily and precisely with paths.

Select the Curvature tool ().

Drop two points on the artboard, and then view the safe band preview display the shape of the resulting path depending on where y'all hover your mouse.

Note: Rubber-banding is turned on by default in the tool. To plough it off, use preference setting: Preferences > Choice & Anchor Display > Enable Condom Ring.

Utilize the mouse to drop a point or tap to create a polish signal. To create a corner point, double-click or printing the Alt central while clicking or borer.



A. By default, smooth points are created for curvesB. To create a corner point, double-click or press the Alt cardinal while dropping a betoken

You can perform several deportment:

• Option (macOS) / Alt (Windows) + click to continue adding points to an existing path or shape.
• Double-click or double-tap a betoken to toggle the point betwixt smoothen or corner points.
• Click a signal or tap it and and so drag the point to movement it.
• Click or tap a signal and press Delete to delete the indicate. The curve is maintained.
• Press the Esc primal to cease drawing.
  

Condom Ring preview

The Pen tool and the Curvature tool brandish a preview of the path that will be drawn from the previous anchor point to the electric current position of the pointer.

Using the Pen tool or the Curvature tool, click once on the artboard to draw a smooth point, and drag the mouse to create the handles every bit required.

Annotation: When you draw a polish point, the opposite handles are always equal and paired. Press Command / Ctrl while dragging the handles of a smooth signal, to create handles that are unequal in length (pairing remains intact).

Release the mouse button. When you motion the mouse pointer across the artboard, a path is displayed indicating what will be drawn if you choose to drop an anchor point at the location of the mouse pointer.



A. Commencement anchor point and its handlesB. Safe Band preview of the path between the first anchor indicate and the mouse arrow

When the preview displayed is the path that you lot wanted to draw, click the location, and Illustrator draws the path as previewed.

When the preview is on, pressing Esc stops showing the preview and ends the path. This is the aforementioned action as hitting the keyboard shortcut P while working with the Pen tool (with the preview characteristic off).

Plough the Rubber Band preview on or off:

Open thePreferences dialog (Ctrl + M)

Scan to theOption and Anchor Display tab

Select or clear the desired selection(s):

• Enable Prophylactic Ring for Pen Tool
  
• Enable Rubber Ring for Curvature Tool
  

The Pencil tool lets you draw open up and airtight paths equally if you lot were drawing with a pencil on paper. It is almost useful for fast sketching or creating a manus-drawn await. One time you lot depict a path, you tin can immediately alter information technology if needed.

Ballast points are set downwardly every bit you draw with the Pencil tool; you do non make up one's mind where they are positioned. Still, you lot can suit them in one case the path is consummate. The number of anchor points set down is determined by the length and complexity of the path and by tolerance settings in the Pencil Tool Preferences dialog box. These settings command how sensitive the Pencil tool is to the movement of your mouse or graphics-tablet stylus.

Click and hold the Shaper tool (). Select the Pencil tool.



Position the tool where you lot want the path to begin, and drag to draw a path. The Pencil tool () displays a small-scale x to indicate drawing a freeform path.

Every bit you drag, a dotted line follows the pointer. Ballast points announced at both ends of the path and at various points along information technology. The path takes on the current stroke and fill up attributes, and remains selected by default.

Draw constrained or unconstrained directly segments using the Pencil tool

Yous can utilize the pencil tool to depict constrained or unconstrained straight segments.

• Constrained direct segments: Concord the Shift primal, and so use the Pencil tool to draw straight segments constrained to 0, 45 or 90 degrees. While drawing a directly segment, the directly-segment cursor () is displayed.

• Unconstrained straight segments: Hold the Option/ Alt cardinal to draw unconstrained directly segments. However, to depict a polyline path:
  1. Draw a line segment.
  2. Exercise one of the following:
  • Keeping the Shift or Option/ Alt key pressed, place the cursor at the endpoint of the line. When the path-continuation cursor () is displayed, click the mouse button and draw another line.
  • Keeping the mouse button pressed, release and press the Shift or Selection/ Alt cardinal, and depict the next segment.

Select the Pencil tool ().

Position the tool where you want the path to begin, and start dragging to draw a path.

After you've begun dragging, concur down Alt (Windows) or Option (macOS). The Pencil tool displays a pocket-sized circle () to betoken that you're creating a closed path.

When the path is the size and shape you want, release the mouse button (only non the Alt or Option primal). Subsequently the path closes, release the Alt or Option central.

You don't accept to position the cursor over the starting point of the path in order to create a closed path; if y'all release the mouse push in another location, the Pencil tool volition close the shape by creating the shortest possible line back to the original point.

Y'all can edit any path using the Pencil tool and add freeform lines and shapes to whatsoever shape.

Add to a path with the Pencil tool

Select the Pencil tool ().

Position the pencil tip on an endpoint of the path.

You lot tin can tell y'all're close enough to the endpoint when the small x next to the pencil tip disappears.

Elevate to go on the path.

Connect two paths with the Pencil tool

Select both paths (Shift-click or drag effectually the two with the Pick tool).

Select the Pencil tool ().

Position the pointer where you want to brainstorm from one path, and start dragging toward the other path. The Pencil tool displays a small merge symbol () to indicate you're calculation to the existing path.

Drag onto the endpoint of the other path and release the mouse push.

For all-time results, drag from one path to the other as if you were simply standing the paths in the management they were created.

Reshape paths with the Pencil tool

Select the path yous want to change.

Position the Pencil tool on or almost the path to redraw.

You can tell y'all're close enough to the path when the small x disappears from the tool.

Drag the tool until the path is the desired shape.



Using the Pencil tool to edit a closed shape

Depending on where you brainstorm to redraw the path and in which direction you elevate, you may get unexpected results. For example, you may unintentionally change a closed path to an open path, change an open path to a closed path, or lose a portion of a shape.

Double-click the Pencil tool () to set any of the following options:

Fidelity

Controls how far you take to move your mouse or stylus earlier a new anchor signal is added to the path. The Fidelity slider has five presets y'all tin can choose from. The leftmost slider preset (Accurate) is most accurate for drawing paths. The rightmost slider preset (Polish) creates the smoothest paths. Choose a preset that suits your drawing needs best.

Fill New Pencil Strokes

Applies a fill up to pencil strokes yous draw afterwards selecting this option, but not to existing pencil strokes. Remember to select a fill before y'all describe the pencil strokes.

Alt/ Option Key Toggles To Smooth Tool Option

With this checkbox enabled, while using the Pencil tool or the Brush tool, yous can press Alt (Windows) or Pick (macOS) to switch to the Smoothen tool.

Close Paths When Ends Are Within: _ Pixels

When the endpoints of a path you are cartoon are in close proximity and within a certain predefined number of pixels of each other, the path-close cursor () is shown. When yous release the mouse button, such a path is airtight automatically.Yous can set the predefined number of pixels using this option.

Edit Selected Paths

Determines whether or not you can alter or merge a selected path when you are within a certain distance of it (specified with the next option).

Inside: _ pixels

Determines how close your mouse or stylus must be to an existing path in lodge to edit the path with the Pencil tool. This option is only available when the Edit Selected Paths option is selected.

Source: https://helpx.adobe.com/illustrator/using/drawing-pen-curvature-or-pencil.html

Posted by: blancharddeve1941.blogspot.com

Share this post